{"id":325,"date":"2021-12-02T19:35:57","date_gmt":"2021-12-02T18:35:57","guid":{"rendered":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/?p=325"},"modified":"2022-03-11T21:24:00","modified_gmt":"2022-03-11T20:24:00","slug":"325","status":"publish","type":"post","link":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/2021\/12\/02\/325\/","title":{"rendered":""},"content":{"rendered":"\n<h1 class=\"wp-block-heading\"><span class=\"has-inline-color has-accent-color\"><strong>Lars Bang Larsen<\/strong><\/span><\/h1>\n\n\n\n<p>8 December 2021<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Documenta- Politics and Art. About the exhibition in Museum of German History in Berlin<\/strong><\/h2>\n\n\n\n<p>In&nbsp;this workshop Lars Bang Larsen will discuss the exhibition&nbsp;documenta. Politics and Art&nbsp;(2021-2022) that he&nbsp;co-curated with Julia Voss, Alexia Pooth, Dorothee Wierling and Dorlis Blume at the Museum of German History in Berlin. The&nbsp;exhibition&nbsp;addressed the political history of the documenta in the 20<sup>th<\/sup>&nbsp;century.&nbsp;Founded by the artist, designer and art professor Arnold Bode in the (at that point West German) city of Kassel, documenta first took place in 1955, and soon became one of the most important exhibition events in the world, on a par with the Venice and S\u00e3o Paulo biennials, and it has played a major role in the institutionalisation of contemporary art until today. He&nbsp;will present the main research findings of our exhibition on documenta, including its focus on the continuities between the NS and the post war era, on documenta as an anti-Communist exhibition, and on how documenta conveyed the cultural and political programme of the West. After this he hopes that we can discuss issues such as (artistic and curatorial) methodologies for how to deal with exhibition history, and with the relation between politics and art.<\/p>\n\n\n\n<p><strong>Required Reading:<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.academia.edu\/61175859\/Exhibition_as_Medium_for_Geopolitical_Operations_Parapolitics\" data-type=\"URL\" data-id=\"https:\/\/www.academia.edu\/61175859\/Exhibition_as_Medium_for_Geopolitical_Operations_Parapolitics\">Paz Guevara\u2019s essay \u201cExhibition as Medium for Geopolitical Operations\u201d (2021)<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/press.uchicago.edu\/ucp\/books\/book\/chicago\/G\/bo24550483.html\" data-type=\"URL\" data-id=\"https:\/\/press.uchicago.edu\/ucp\/books\/book\/chicago\/G\/bo24550483.html\">Caroline Jones: the chapter \u201cTransnational Openings\u201d from\u00a0<em>The Global Work of Art. World\u2019s Fairs, Biennials, and the Aesthetics of Experience<\/em>\u00a0(2017)<\/a><\/p>\n\n\n\n<p>The introduction and the chronology from the exhibition catalogue to documenta. Politik und Kunst.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.textezurkunst.de\/123\/dokumentation-und-analyse\/\">Review of the exhibition\u00a0documenta. Politik und Kunst.<\/a>\u00a0<\/p>\n\n\n\n<p><strong>Lars Bang Larsen<\/strong>&nbsp;is an art historian and writer who has produced a body of research and curatorial work at the intersection of the Western schema of the social and the aesthetic, connecting art to larger histories of ideas. He has tracked art made in the context of countercultures\u2014including spiritualism, psychedelia, and activism\u2014that has produced mixed and emergent forms of experience and (non-)knowledge. He is director of art and research at<strong>&nbsp;Art Hub<\/strong>&nbsp;in Copenhagen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lars Bang Larsen 8 December 2021 Documenta- Politics and Art. About the exhibition in Museum of German History in Berlin In&nbsp;this workshop Lars Bang Larsen will discuss the exhibition&nbsp;documenta. Politics and Art&nbsp;(2021-2022) that he&nbsp;co-curated with Julia Voss, Alexia Pooth, Dorothee Wierling and Dorlis Blume at the Museum of German History in Berlin. The&nbsp;exhibition&nbsp;addressed the political [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/posts\/325"}],"collection":[{"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/comments?post=325"}],"version-history":[{"count":0,"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/posts\/325\/revisions"}],"wp:attachment":[{"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/media?parent=325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/categories?post=325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/tags?post=325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}