11 June 2026<\/p>\n\n\n\n
A voice, a breath, a short look, an electrical hum, fabric against skin – traces of something already disappearing.<\/p>\n\n\n\n
This workshop approaches sound as archive: as a way of holding memory, grief, intimacy and absence.<\/p>\n\n\n\n
Together we will listen closely to the unnoticed, work with field recordings, voice, repetition and texture to explore how sound can preserve emotional space even as it erodes.<\/p>\n\n\n\n
Through collective listening exercises and small sonic compositions, we will delve into what remains after a moment has passed and how listening itself can become a form of remembering.<\/p>\n\n\n\n
Thoughts and Questions:<\/p>\n\n\n\n
\u00b7 What does a disappearing memory sound like?<\/p>\n\n\n\n
\u00b7 How can sound preserve someone or something?<\/p>\n\n\n\n
\u00b7 How do we hear absence or empty space?<\/p>\n\n\n\n
\u00b7 What makes a recording feel intimate?<\/p>\n\n\n\n
Bring with you:<\/strong><\/p>\n\n\n\n \u00b7 a voice note<\/p>\n\n\n\n \u00b7 a field recording<\/p>\n\n\n\n \u00b7 an object with sonic meaning<\/p>\n\n\n\n \u00b7 any sound that you feel is important to you<\/p>\n\n\n\n Rogine Moradi <\/strong>(b. 1996) is a multidisciplinary artist and musician based in Vienna, Austria.<\/p>\n\n\n\n Her practice explores language, materiality and alternative forms of communication through immersive installations using materials such as fabrics, nets, text and sound. Often rooted in self-written poems and narratives, her works transform language into spatial and sensory experiences.<\/p>\n\n\n\n Alongside her visual art, Moradi releases music under the moniker rogine. Her debut album breathe down my neck (2024) explores grief, memory and longing through experimental soundscapes and introspective songwriting. Across both disciplines, her work investigates themes of loss, memory, transformation and the boundaries of communication and language.<\/p>\n","protected":false},"excerpt":{"rendered":" 11 June 2026 A voice, a breath, a short look, an electrical hum, fabric against skin – traces of something already disappearing. This workshop approaches sound as archive: as a way of holding memory, grief, intimacy and absence. Together we will listen closely to the unnoticed, work with field recordings, voice, repetition and texture to […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"_links":{"self":[{"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/posts\/866"}],"collection":[{"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/comments?post=866"}],"version-history":[{"count":1,"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/posts\/866\/revisions"}],"predecessor-version":[{"id":867,"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/posts\/866\/revisions\/867"}],"wp:attachment":[{"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/media?parent=866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/categories?post=866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bildhauereiundraumstrategien.akbild.ac.at\/index.php\/wp-json\/wp\/v2\/tags?post=866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}